Is anyone a spectator in a genocidal society?

DANIEL FEIERSTEIN

Berlín

Conferencia; 4th International Conference on Holocaust Research: Volksgemeinschaft, the Community of Exclusion. Post 1933 Radicalisation in Germany; 2013

Bundeszentrale für Politische Bildung y las Universidades Humboldt (Berlin) y Flensburg

@font-face { font-family: "Arial"; }@font-face { font-family: "Cambria Math"; }@font-face { font-family: "Calibri"; }p.MsoNormal, li.MsoNormal, div.MsoNormal { margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 36pt; font-size: 12pt; font-family: "Times New Roman"; }p.MsoFootnoteText, li.MsoFootnoteText, div.MsoFootnoteText { margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 36pt; font-size: 10pt; font-family: "Times New Roman"; }span.MsoFootnoteReference { vertical-align: super; }span.FootnoteTextChar { font-family: "Times New Roman"; }span.longtext { font-family: "Times New Roman"; }.MsoChpDefault { font-size: 10pt; font-family: Calibri; }div.WordSection1 { page: WordSection1; } For each one we touch, a thousand paralyzed with fear. We act by irradiation[1]   This line from an Argentine theater play expresses brilliantly, in a nutshell, how terror operates in a concentration camp society.  Harassment, torture, and murder are not simply intended to destroy the victims but, indirectly, to paralyze the whole of society with fear. This paper asks to what extent representations of genocidal processes and concentration camps have shown awareness of this fact and, conversely, to what extent it is possible to work through the consequences of terror while those who were neither perpetrators nor direct victims see themselves as "outside" their terror-stricken society. [1]  Excerpt from the book ?El señor Galíndez? by Eduardo Pavlovsky.