NODO IIHES   21823
INSTITUTO DE INVESTIGACIONES DE HISTORIA ECONOMICA Y SOCIAL
Unidad Ejecutora en Red - UER
congresos y reuniones científicas
Título:
The concept of culture in the development assistance sector: Culture as field of power struggle during the Cold War
Autor/es:
MUSACCHIO, ANDRES Y REBMANN LINDA
Lugar:
Amsterdam
Reunión:
Congreso; Congress of the International Commission Of History Of International Relations; 2010
Resumen:
The development assistance sector emerged in the 1950s as part of foreign
policy, creating a field of power struggle used by the donor countries to
pursue their own interests while the recipient countries on the other side were
trying to protect their negotiating power and scope of action.
During the Cold War,
development aid was used for the geostrategic, economic and ideological
interests of both parties thus becoming another area of confrontation between
East and West. Obviously development assistance was not only meant to cover
material needs of the recipient countries. The cultural and ideological
dimension was also used by the Western donors to win the commitment of the
recipient countries to their causes.
Using the example of West German development assistance in this paper, we
would like to show how culture with its variable lines of definition and
contour was used to inconspicuously implement West Germany's geopolitical and ideological strategies in Latin America also implementing characteristic cultural approaches.
In the earlier periods of the Cold War, the focus was on mitigating the
expansion of communism in Latin America as well as competing against the other Western powers
to spread "democratic" ideas and values. For a large part, West Germany used the education sector and "cultural
events" to achieve its aims.
Our research is
based on the evaluation of files from the German Department of Foreign Affairs
concerning development aid and bilateral relations during the period of the
East-West conflict and the Hallstein Doctrine with emphasis on Argentina and Brazil. These do also demonstrate how important the
government thought their cultural work was for the recipient countries.