Todo Piola: eternity vs inclemency

EZEQUIEL LOZANO; CECILIA CHARISWSKYJ; MARÍA ÁNGELA VIDAL

Exploraciones Escénicas

Ediciones Artes del Sur

Lugar: Ciudad Autónoma de Buenos Aires; Año: 2017; p. 49 - 52

This paper analyzes the staging "Todo Piola", directed by Gustavo Tarrío. It is part of a book composed of articles by theorists, university professors and theater critics of Argentina, Brazil, Sweden, Nigeria, Korea and Japan. Therefore, articles are presented in Spanish, English and Portuguese. Also, a dramatic text is published, whose staging is currently on show in Buenos Aires. The objective of "Scenic Explorations" is that both the articles and the play, respond to an immediate interaction between the stage art - its production, exhibition and its critical reception - and the theatrical and social geography of the city. In this way, each author touched specific points of the Buenos Aires scene, generating a map - always partial and incomplete - of his theatrical field that, at the same time, constitutes a sample of its density, dynamism and constant reformulation, as well as of the multiplicity of poetic and artistic interests that compose it.