INVESTIGADORES
PLANTE Isabel
congresos y reuniones científicas
Título:
Images, language and distance. Paris from Latin America during the sixties
Autor/es:
ISABEL PLANTE
Lugar:
Nueva York
Reunión:
Congreso; Congreso internacional de la American Comparative Literature Assotiacion (ACLA). Sesión: ?After Paris, What? Exile, Exoticism and Eccentricity in Latin America Intelligentsia and its New Capitals?,; 2014
Institución organizadora:
American Comparative Literature Assotiacion (ACLA)
Resumen:
Sesión:
?After Paris, What? Exile, Exoticism and Eccentricity in Latin America
Intelligentsia and its New Capitals?, organizada por Leonardo D?Avila de
Oliveira (Boston University) and Rodrigo Lopes de Barros (Universidade de Santa
Catarina).
Resumen:
During the 1960?s, when the decline of Paris was
matter of discussion even among the French, the bonds between the Argentine intellectuals
and the City of Light started to take on new shape. Those artists living abroad also reflected on their
condition as migrants and included
foreignness in their work: Juan José Saer, emigrated to France; Antonio
Berni, who installed a studio in Paris in 1963; Luis Felipe Noé and Uruguayan
Luis Camnitzer, both settled in New York; Copi, attempting to define the
"Argentine of Paris"; Julio Le Parc, also in Paris, making of the
foreign condition a sort of Latinamericanist activism. What were the
particularities of those intellectual journeys of the 1960?s?
During the 19th
century, the shape of European metropolises was
conditioned by the rise of colonialism and
was part of the configuration of modernity. How to understand,
therefore, the journeys undertaken by these artists in times of crisis of that
modernity? In face of the
centre-periphery antinomy crystallized with the discourse of dependency, we aim
at analyzing the spectrum of experiences revealed by these migrant individuals.
The migration of intellectuals and cultural productions contributed to shape
the representations of the
French and the Latin American cultures in a period marked by
the American hegemony and the emergence of the Third World. Thus, the maps outlined had New York as an unavoidable
presence but, at the same time, included Latin America with a new political and
cultural international visibility.